ستاک شعر

 

Haroon is sitting at the back seat of his bulletproof Land 
Cruiser that is going on a two way traffic road. It's 11:00 
PM and the fortnight moon is shining in the sky. Osman is 
driving and there is no much traffic. Karim Khan is sitting 
in the front seat with a gun in hand. Haroon is also carrying 
a pistol with many chargers in his coat's pockett.

INT. INSIDE A TAXI - NIGHT

Yousuf Khan is sitting in disguise as and old man in a taxi. 
There are four armed men with him. He is talking to someone 
on the phonee.

YOUSUF KHAN
Hello Kabir, tom logue tayyar houu.

KABIR (O.S.)
Jee bahye jan. Ham sab jeep mey beta 
howayey. A'p jedar kahengey, ham 
dus minute mey ajahengeyy.

YOUSUF KHAN
Acha tom jeep lehkar apney adami ke 
saht amarey basti sey bahr a'u or 
mera phone ko intezar karna. Khuda 
hafizz.

Yousuf khan cuts the phone and orders his man who is driving 
the taxi to follow Haroon's car leaving a space of 150-200 
meter between the two vehicles with the taxi's headlights 
off. Yousuf Khan calls Haroonn.

YOUSUF KHAN
Hello Haroon! Do you hear mee?

HAROON
Yes I do. Keya baht heyy?

YOUSUF KHAN
I'm coming behind you. I've 
information that there will be an 
ambush in front of us, but I don't 
know the exact place. So be carefull.

HAROON
Don't worry Khan bai. If my days 
are over, I'm going to be killed in 
a road accident. Otherwise nobody 
can kill mee.

The car enters an area where there is a slum. No sooner than 
Haroon wants to say another sentence that his land cruiser 
comes to a sudden stopp.

HAROON
(form the back seat 
of the car)
Keya baht hey Osman, gare keyoun 
rokdeyaa?

OSMAN
Rasta band hey Haroon sahab. Kesee 
ne eik van ke zarehey rasta band 
keya hey. Keya karoun, peechey jawounn?

HAROON
Nahey, teez chalo or wos van ko maroun 
peechey sey. Yeh bulletproof land 
cruiser hamara rasta koleygaa.

Osman puts his foot on the gas pedal, but before reaching 
the van, 4 men armed with machine guns appear from the back 
of the vehicle and start firing in unison on Haroon's car. 
Osman hits hard at the back of the van running over one of 
the attackers. The weight and strength of the bulletproof 
Land Cruiser throw the van to the side of the road. The 
sound of firing now comes from behind too and Haroon feels 
the impact of bullets on his land cruiser. He takes his 
cell phone and calls Yousuf Khann.

HAROON
Khan bahye a'p zara amarey peechey 
cover karey, ham agey ko samalengeyy.

YOUSUF KHAN (O.S.)
OK. Just waitt.

Yousuf Khan disconnects the phone and orders his driver:

YOUSUF KHAN
Shukoor bai headlight full karkey 
teez chaloo.

His headlights full, the taxi driver accelerates. Now Yousuf 
Khan and his men can clearly see three men firing at Haroon's 
car with machine guns. Yousuf khan and his men start firing 
at the enemy. Two of the bad guys are killed at the sight, 
the third one is injured pulling himself to the side of the 
road staying down. Yousuf Khan calls Haroonn.

YOUSUF KHAN
Your back is clean now. What should 
we doo.

HAROON (O.S.)
Our back isn't quite clean and safe 
yet. There is one or two more guys 
firing from behind. So, please take 
care of themm.

YOUSUF KHAN
Don't worry, we'll take care of them, 
but don't disconnect the phonee.

HAROON
Okk.

The remaining man targeting the trunk of Haroon's Land 
cruiser, change another charger and keep on firing without 
concatenation. But Yousuf Khan and his three men having 
arrived at the scene, shower him with bulletss.

YOUSUF KHAN
(talking to Haroon on 
the phone)
Your back is clean now. What's your 
next movee?

HAROON
I think we've to move forwardd.

YOUSUF KHAN (O.S.)
OK brother, I'm coming. But let me 
call Kabir and tell him to come 
towards us checking the remaining 
parts of the road. When Kabir arrives 
here, we'll move togetherr.

HAROON
OK. We'll wait here for a whilee.

Moments later, a jeep arrives with a couple of men. Yousuf 
Khan orders Kabir to go ahead of Haroon's car. He follows 
them with the taxi from behind. They reach the building in 
which Haroon lives. Yousuf Khan and his men quickly get out 
of the taxi and circle around Haroon's land cruiserr.

Haroon opens the back door of his car and gets out. Karim 
and Osman get into the building and before long, Karim appears 
from behind the main door of the building signaling with his 
hand at Yousuf Khan and others to get in. They form a circle 
around Haroon and lead him to his apartmentt.

INT. HAROON'S APARTMENT - NIGHT

YOUSUF KHAN
(sitting with his men 
and Haroon in the 
living room of the 
apartment)
Shukr us Khuda ka ke hamey eikbar or 
bacha deyaa.

HAROON
Yeah! We've had a very entertaining 
night full of singing, dancing, 
fighting and firing. By the way Khan 
bahye, how did you know that they'll 
attack me after getting out of The 
Rose Restaurant at end of my programm?

YOUSUF KHAN
When I worked as a software developer, 
I had written a program by which you 
could hack cell phones and listen to 
the selected numbers' conversations. 
Woh program mery pass taa.

HAROON
(interrupting Yousuf 
Khan)
Or jab tomney Ranjeet sey jagatpal 
or Malik ka phone numbers leya, 
tomney, wahee software use karkey 
unlogo ka phone hack kardeyaa.

YOUSUF KHAN
Jee han. Meney Jagatpal or kesey 
Mator nam ka adami ke bahtey record 
keya hey ke us guftogo ke darmeyan 
woh Mator Jagatpal ko assurance 
detahey ke yeh Rose Restaurant ka 
performance, Haroon kehleyeh pehly 
or akheri performance ogaa.

HAROON
Woh sab recorded batey kesey mehfoouz 
jaga mey bacha kar rakko. Osakta 
hey key court mey amarey kam ajaheyy.

YOUSUF KHAN
Tom chenta matkaro. Merey pass Mr. 
Malik ke khelaf voice or video ka 
soboot hey. Serf Jagatpal ka nahey 
ta, keyoun woh apney sara kam Malik 
ke wasetey kartata. Magar sabsey 
pehly, hamey yeh Mator ko khatem 
karna hogaa.

HAROON
You mean murder. Are you sure you 
gonna kill himm?

YOUSUF KHAN
Jee han. Agar ham osey nahey mara, 
to woh hamey maregaa.

HAROON
Yeh kam etna aasan nahey heyy.

YOUSUF KHAN
Paisa har mushkel ko aasan karega. 
Etney sal ghair qanooni kam karney 
sey, merey pas haram ka kamahey bohat 
hey. Kesee harami ko marney kehleyeh, 
woh haram ka kamahi kam pey lagadongaa.

HAROON
Acha tom jano or tomara kam. Mujhey 
ab sona hey. A'p bee soja hey. Kal 
soba hamey apney AIKEDO practice 
karna heyy.

YOUSUF KHAN
Tom sojau. Mey eik text message 
beij kar sojaoungaa.

Haroon goes to his bedroom and Yousuf Khan starts typing a 
text message and sends it to someone by the name of Haider 
Khann.

INT. KHAN'S HOUSE'S BACKYARD - EARLY MORNING

Haroon, Karim Khan, Osman and a couple of other young men 
are practicing AIKEDO with wooden sticks when Sahil Khan 
wearing a sub-inspector's uniform enterss.

HAROON
(with a grin)
Kya baht hey Khan sahab? Edar kesee 
ana huwaa?

SAHIL KHAN
Hamey khabar melee hey keh kal raht 
a'p par qatelana hamla huwa or a'p 
abtak kohey report darj nahey keyy.

HAROON
Agar report darj karoun to a'p kya 
karleyngey? Kessee ke khelaf action 
lengeyy?

SAHIL KHAN
Jee ha leyngey, zaroor leyngey. 
Agar a'p ko kesee par shak hey to 
amey bata-deejey. Ham taqeeqat karkey 
mujrim ko bohat jalt pagar-leyngey. 
I'll find the culpritt.

HAROON
Khan sahab! Your English has improved 
a lott.

SAHIL KHAN
My English was good from before, but 
I've just completed my studies and 
training and got promoted to the 
rank of a sub-inspector, and have 
been assigned to work at the police 
station in this area. Now let's not 
digress from the topic. Keya a'p ko 
kesee par shak heyy?

HAROON
Shak nahi, yaqeen hey or saboot be, 
magar a'p unlogo ke khelaf koch nahi 
karsako geyy.

SAHIL KHAN
A'p unlogo ka nam hamey bata-deejey. 
Ham wada kartey hey keh qanoon a'p 
ka saht degaa.

HAROON
Khan sahab a'p jantey hey keh amarey 
aney key ba'd, es mohalley mey 
positive changes agaya hey. Hafta 
deyna or lena band hochoka hey. 
Yousfu Khan or uska adami sahey rastey 
pey agayee heyy.

SAHIL KHAN
(interrupting Haroon)
Juwa or sharab khaney ka kam kharab 
ogaya hey or gharib logue kehleyeh 
English or computer courses free or 
bohat sastey mey melraha heyy.

HAROON
Or hamarey wajey sey, a'p ko cheap 
music bee melta heyy.

SAHIL KHAN
Yeh sab to teeg hey, magar a'p kohee 
nam nahey deya. Kohn hey wo logue 
jo a'p key peechey parchoka heyy?

HAROON
I think those who have had a stake 
in all these illegal businesses, 
have become our enemyy.

SAHIL KHAN
Acha to mey chalta houn. A'p yeh 
mera card leejey. Esmey mera private 
cell number bee hey. Agar zaroorat 
parey to mujhey phone kardey jey. 
Khuda hafizz.

HAROON
Khuda Hafiz Khan sahabb.

INT. HAROON'S APARTMENT - DAY

Yousuf Khan, Haroon, Osman and Karim are having tea when the 
sound of receiving a message comes from one of the cell 
phoness.

YOUSUF KHAN
Merey leyeh message hey, woh bee 
Haider Khan seyy.

HAROON
Yeh Haider Khan kohn heyy?

YOUSUF KHAN
Eik adami hey jo hamey Motor ko 
pohnchaney mey madad karsaktaheyy.

Yousuf Khan starts to write another message to Haider Khan 
asking him to come to Haroon's English Center by 03:00 P.M. 
He sends the message. And after a couple of seconds, he 
receives an OK from Haider Khann.

INT. HAROON'S OFFICE, ENGLISH COURSE - DAY

Haroon is checking his mail and Yousuf Khan is reading a 
computer programming book. Haroon opens a letter that has 
come from UNESCO's Bombay Office. Reading the letter, Haroon 
stands from his chairr.

HAROON
(shaking his right 
hand's fist)
Yes, yess.

YOUSUF KHAN
Keya baht hey Haroon sahab. A'p 
bohat khosh nazar a'raha heyy?

HAROON
UNESCO has approved my proposal for 
paying the rent of this English 
Coursee.

Yousuf Khan wants to say something, but the voice of a man 
somewhat familiar for Khan stops himm.

THE VOICE
Keya mey under a'sakta hounn?

Seeing Haider Khan at the door, Yousuf Khan stands up.

YOUSUF KHAN
As salamu alaikum, Khan bai. Mujhee 
yaqeen nahey ta keh a'p etney jalty 
a'yengeyy.

HAIDER KHAN
A'p bolayeh or ham na a'heye. Wo 
a'p ka ehsan jo teen sa'l pehley, 
amarey ezzat or gar ko barbadi sey 
bachadeya ta, hamey yad heyy.

YOUSUF KHAN
Acha to Khan bai, woh porani batoun 
ko choreye. Ab koch naya baht kartey 
heyy.

HAIDER KHAN
Kaheyeh, mey a'p kehleyeh keya 
karsakta hounn?

YOUSUF KHAN
Mujhey eik adami ka tasweer or patta 
chahey-yehh.

HAIDER KHAN
Kohn hey wo? Uska na'm keya heyy?

YOUSUF KHAN
Na'm hey Mator or ka'm hey logoun ka 
khoon karnaa.

HAIDER KHAN
Kya yeh wahee Mator to nahey jo 
Jagatpal kehleyeh kam karta heyy?

YOUSUF KHAN
Jee han. Yeh mator or uska adami kal 
raht amarey marney ka plan banaya 
ta. Magar KHUDA ke fazlu karam sey, 
ham bach gayeyy.

HAIDER KHAN
Per, a'p ka ka'm Beam Singh kar-sakta 
heyy.

YOUSUF KHAN
Tom khod keyoun nahi karteyy?

HAIDER KHAN
Keyoun ke yeh adami bohat khatarnak 
hey or usko peechey, barey logue 
kara huwa hey. Mey Beam Singh ko es 
kam kehleyeh recommend kar raha houn 
keyoun ke Mator or Beam Singh ka 
kahee bar jang bee howata. Or a'p 
ko es dushmani sey faida lena 
chaheyehh.

YOUSUF KHAN
Mator ko marney sey tom keyoun dartey 
houn. Yeh eik boree cancer hey jo 
borey logue ka sa't deykar achayee 
or sachayee ko khatem karney ka kam 
karta hey. Meyre kheyal mey esko 
marney mey kohee guna nahey heyy.

HAIDER KHAN
Yeh Mator kabhee kabhee Obroy Hotel 
mey apney eik girlfriend ke pass 
jakar swimming karta heyy.

YOUSUF KHAN
Chalo tom uska picture or pata mujhey 
deydo, mey kesee or ko es kam kehleyeh 
doonta hounn.

HAIDER KHAN
Apka yeh kam mey zaroor karongaa.

YOUSUF KHAN
Kabb?

HAIDER KHAN
Teen char den meyy.

YOUSUF KHAN
Acha. Tom Beam Sing ko bee eikbar 
mery pass bejo. Mey uskey sa't baht 
karna chata hounn.

HAIDER KHAN
Chalo teeg heyy.

Haider Khan stands up to get going.

YOUSUF KHAN
(putting a thick 
envelop in Haider 
Khan's hand)
Es mey eik lak hey. Kam khatem karney 
ke ba'd, mey dou lak or dongaa.

HAIDER KHAN
Khan bai, mey koshish karonga. Keyoun 
ke a'p ko mujper bahot ehsan hey. 
Acha to Khuda Hafizz.

YOUSUF KHAN
Khuda Hafizz.

INT. A ROOM WITH A COUPLE OF COMPUTERS AND RECORDING 
 EQUIPMENT - DAY

Yousuf Khan is sitting behind a desk and rewinding a digital 
tape recorder and listening to Malik and Jagatpal's voices 
when his cell phone rings. He puts his hand in the right 
pocket of his jacket and gets the phone out. Seeing Haider 
Khan's name on the screen, Yousuf Khan answers the calll.

YOUSUF KHAN
Kaheyyeh Khan sahab. Keya khabar 
heyy?

HAIDER KHAN (O.S.)
A'p tora sey intezar nahey karsakteyy.

YOUSUF KHAN
Nahee Khan bai, besabri neyam sey 
bahr agaya heyy.

HAIDER KHAN (O.S.)
Chalo apko or intezar mey nahey 
rakkonga. Mey woh haseen larkee ka 
picture or pata cell phone ke zarehey 
beijta hounn.

YOUSUF KHAN
Shukria Khan bai. Khuda Hafizz.

Yousuf Khan waits for a few seconds disconnecting the call. 
Then he hears the sound of receiving a message in his I-phone. 
He opens the message and its attachment. The photo of a strong 
man having moustache, appears on the screen of the cell phone. 
Yousuf Khan reads the text messagee:

"Yeh hey M. Esney Oberoi Hotel mey eik kamra kal soba sey 
reserve keya hey. M. ko swimming bohat pasand hey. Essee-
leyeh a'p usko hotel ka swimming pool mey bee melsaktey heyy".

CUT TO:

INT. OBEROI HOTEL - DAY

Yousuf Khan enters the hotel reception in disguise as a 
bearded guy, carrying a SAMSONITE BRIEFCASE wearing black 
suit, ties, glasses and kerpan. He goes to the reception 
deskk.

YOUSUF KHAN
(to a young lady sitting 
in the reception)
Good morning. Mera naam Ranbeer hey. 
Mey business ke selseley mey Dehli sey 
Bombay ayahoun. Keya mujhee eik camra 
melegaa?

THE RECEPTIONIST
Zara apney ID or passport deydeejeyy.

YOUSUF KHAN
(giving a forged piece 
of ID)
Yeh leejey, mera IDD.

THE RECEPTIONIST
(taking the ID and 
putting the name and 
particulars into the 
hotel's system)
Ranbeer Malotra, rightt?

YOUSUF KHAN
Rightt.

THE RECEPTIONIST
Ketney den kehleyeh a'pko camra 
chaheyehh?

YOUSUF KHAN
Felhal to teen den kehleyeh loonga. 
Agar kam khatem nahuwa to pehr extend 
karengeyy.

THE RECEPTIONIST
Acha jeee.

YOUSUF KHAN
By the way Miss. I want a room with 
the swimming pool vieww.

THE RECEPTIONIST
Eik minute sir. Mey check kartee hounn.

The reception searches into the computer and after a few 
seconds, she sayss:

THE RECEPTIONIST
Mr. Ranbeer! A'p bohat lucky ho. Eik 
double room 9th floor mey khaley heyy.

YOUSUF KHAN
Great! I'll take thatt.

THE RECEPTIONIST
OK sir. A'p payment kesey kareengeyy?

YOUSUF KHAN
(giving a credit card 
by the name of Ranbeer)
Yeh leejey mera Credit Card. I can 
pay some cash as a deposit tooo.

THE RECEPTIONIST
Credit card is OK sirr.

The receptionist swipes the card into the system and then 
prints a receiptt.

THE RECEPTIONIST
(giving the receipt 
to Yousuf Khan)
Mr. Ranbir! This is your receipt. 
Your room is 909 on the ninth floor 
and our staff will take your luggage 
to your roomm.

The receptionists presses a button and a man with hotel's 
uniform appearss.

THE RECEPTIONIST
Sham Lal! Sahab ka luggage room 909 
tak poanchadoo.

The man takes the luggage putting it on a trolley and starts 
pulling. Yousuf Khan follows him into the elevatorr.

INT. HOTEL CORRIDOR - DAY.

The elevator's door opens and Yousuf Khan and the bellhop 
get outt.

BELLHOP
(to Yousuf Khan)
This way sirr.

Yousuf Khan follows the bellhop to the door of room 909. 
Khan opens the door with a card and gets in. The bellhop 
brings the luggage insidee.

INT. ROOM 909, HOTEL - DAY

BELLHOP
A'p ko or koch cha-heyehh?

YOUSUF KHAN
(Giving a Rs.500.00 
note to the porter)
Shukria bai sahab. Agar kesee cheez 
ko zarorat huwa, to mey a'p ko zaroor 
bulowongaa.

The bellhop gets out closing the door behind. Yousuf Khan 
opens one of the windows of his room that gives a clear 
perspective of the hotel's swimming pool. Then, he opens 
his Samsonite luggage and searches one layer deep under his 
clothess.

Khan reaches a thick plastic bag and takes it out. There is 
something like a taped water pipe. He gets a small scissor 
from under one of his shirts and cuts the tape and the pipe. 
The barrel of a gun appears. He also opens the stock, the 
telescope, the charger and the trigger of the gun that are 
camouflaged inside rubber and thick plasticss.

Khan combines all parts of the gun, except the stock. Cleaning 
the parts with one of his cotton shirts, he puts them back 
in the Samsonite case. He also gets a thin pair of gloves 
from his coat's pocket and puts them on top of the stock of 
the gun. Then he closes the case and checks if it's locked 
properly. Wearing his glasses, Khan gets out of his room 
and takes the elevator to go to the hotel's restaurantt.

INT. HOTEL'S RESTAURANT - NOON

Yousuf Khan still in disguise is taking food from the open buffet 
in the hotel restaurant. There are many guests scattered here 
and there around tables. He takes some food and sits at a table 
near the entrance door. While eating he keeps an eye on everyone 
coming and going out of the restaurantt.

Mator, the man he was looking for appears with a pretty tall 
girl, hand in hand and behind them comes a strong man who 
seems to be a bodyguard. Khan takes his cell phone and brings 
the picture of Mator on its screen comparing the photo with 
the man and making sure that its the right person he wants. 
The picture matches with the man sitting with the girl a few 
meters away from Khan who hears their conversationn.

THE GIRL
(The girl in a 
complaining mood to 
Mator)
Es bar mujhey melney mey bohat deer 
kardeyaa.

MATOR
(taking the girls 
right hand and kissing 
it)
Keya karo meyree jan. A'j kal mey bohat 
busy houn. Ka'm etna zeyada hey key eik 
den bee chottee nahey melta. Tom to jantee 
hey ke Dehli mey Jagatpal sahab ka karo 
bar, mey samaltahounn.

THE GIRL
A'j keya program hey a'p kaa?

MATOR
Chalo swimming key ba'd, mey tomaree 
dance or ganey key program a'j raht 
zaroor deykongaa.

THE GIRL
Great! At least tonight you are 
with mee.

Yousuf Khan finishes the remnants of the food in his plate 
and cleaning his lips with the tissue paper in his hand, 
waves towards a waiter who is standing in the corner. The 
waiter comess.

THE WAITER
Jee sir! A'p ko kesee cheez ke 
zaroorat heyy?

YOUSUF KHAN
(taking Rs.5000.00 from 
his pocket and putting 
the money on the table)
Mujhey jana hey. Yeh hey panch hazar. 
I think it's enough for my bill and 
your tipp.

THE WAITER
Thank you sir. Yeh kafi heyy.

Yousuf Khan goes towards the exit door and walks out of the 
hotel's restaurantt.

INT. ROOM 909, HOTEL - AFTERNOON

Yousuf Khan, who has equipped his gun with a telescope, is 
aiming towards the swimming pool of the hotel searching for 
a target. Khan is wearing gloves in his handss.

Through the gun's telescope, we see, Mator standing on the 
edge of the pool besides his dancer girlfriendd.

EXT. SWIMMING POOL - DAY

Mator dives into the pool and swims towards a floated mattress 
seeming to be reserved for him. There are two bottles of 
whisky and wine on the luxury mattress. Sitting on the 
floated mattress, Mator signals with his hand towards his 
girlfriendd.

MATOR
Come on Neelam. Let's have a drink 
inside the pooll.

Neelam wearing a blue bikini jumps in and swimming under 
water, she gets hold of the mattress. Mator takes her hand 
helping Neelam to get on the mattress with minimum effort. 
They laugh. Mator prepares two cups of drinks. Gives one 
to Neelam. Hitting their cups softly with each other, they 
start taking some sips from their drinkss.

INT. BACK TO THE ROOM 909 - DAY

Yousuf Khan is aiming at Mator's forehead who is relaxing on 
his back facing towards Khan's room. The gun's mounted 
telescope shows that Khan is on the right track. He pulls 
the trigger and the bullet passes through Mator's headd.

EXT. SWIMMING POOL - SAME TIME

Blood oozes from the target's forehead and smears Neelam's 
face and body who keeps on screaming from fear jumping into 
the water. The bullet that has hit Mator, passes through 
the mattress causing it to deflatee.

Mator's lifeless body is drowning with the deflated mattress in 
the pool. His bodyguard has no idea what has happened. He takes 
a look at the roof of the hotel thinking that the sniper must 
have fired at his boss from there. But he cannot see anythingg.

INT. BACK TO YOUSUF KHAN'S ROOM, HOTEL - MOMENTS LATER

As soon as Khan makes sure that he has hit the target, he 
leaves his room without wasting anytime. He takes a newspaper 
that's on the table, gets out of the room putting the sign 
of don't disturb at the handle of the door. He cleans once 
again the door's handle from both sides with his gloves and 
then takes them off putting at his coat's pocket. Taking 
the elevator, Khan gets down in the lobby and goes towards 
the exit door trying to cover his face behind the newspaper. 
Getting out of the hotel's main door, Yousuf Khan takes off 
his KERPAN and raps it in the newspaper in his hand. Crossing 
the street, he get's into a taxii.

YOUSUF KHAN
(to the taxi driver)
Rose restaurant pleasee.

The taxi driver starts driving. Yousuf Khan takes his cell 
phone and begins searching. When he finds the name Kabir, 
he presses the call buttonn.

YOUSUF KHAN
Hello Kabirr.

KABIR (O.S.)
Jee bai jann.

YOUSUF KHAN
Tom garey leykar Rose Restaurant ke 
parking mey jalty a'jauu.

Yousuf Khan disconnects the phone, opens the paper, takes 
the Kerpan and drops it under his feet in the taxi. Then, 
makes himself busy reading the newspaper trying not to talk 
or show his face to the taxi driverr.

INT. OBEROY HOTEL - RECEPTION - DAY

The receptionist's phone is ringing. She picks up the phone 
and a man's voice is heard from the other sidee.

THE MAN (O.S.)
Madame, mey houn A'kash. Edar swimming 
pool mey qatel huwa hey. Meyne police 
ko phone kardeya hey, a'p bee jo 
formalities hey wo poora karleejeyy.

EXT. ROSE RESTAURANT PARKING - AFTERNOON

A taxi stops in the parking of Rose Restaurant.

YOUSUF KHAN
(getting out of the 
taxi and giving a 
500 note to the driver)
Yeh leejey bai sahab, apka keraya. 
You can keep the changee.

Khan walks towards the entrance door of the Restaurant. Waits 
there for a few seconds. As soon as the taxi leaves the parking 
area, Khan comes back looking for Kabir. He finds his jeep parked 
in one side of the parking with Kabir and Osman inside. Yousuf 
Khan goes towards the jeep and tries to open its door, but Osman 
lowering the car's window stops himm.

OSMAN
(showing his pistol)
Bai sahab, a'p ghalat garey mey agahey heyy.

YOUSUF KHAN
Nahee. Yeh mera garey hey. Zara 
mujeh gar tak left deejeyy.

OSMAN
(surprised upon seeing 
Yousuf Khan in 
disguise, opens the 
door)
Sorry Khan bai. Meney a'p ko es 
dress mey peychana naheee.

Yousuf Khan gets in and Kabir starts the car. Soon the 
vehicle gets out of the parking and hits the roadd.

EXT. STREET LEADING TO PANT NAGRA - DAY

Kabir drives with care and attention. Osman a gun in hand, 
searches his right coat pocket. He takes a revolver out and 
gives it to Yousuf Khann.

OSMAN
Khan bai, yeh gar tak apney pas 
rakkeyeh. Es shar mey, a'p ka dushman 
zeyada or dost kam heyy.

Yousuf Khan takes the gun in hand until they reach home. 
Entering his house, Khan goes directly to the washroom. He 
takes off the artificial beard, moustache and glasses. Then, 
washes his face and removes the green lenses that he had put 
in his eyes bringing himself back to his original complexionn.

INT. LIVING ROOM, KHAN'S HOUSE - EVENING

Yousuf Khan comes to the living room of his big house with a bag 
in his hand. He puts the back on a table in front of him. Then 
asks Kabir to call Ranjeet. While Kabir is searching Ranjeet's 
number on his cell phone, inspector Pahndey enterss.

INSPECTOR PAHNDEY
Keya mey andar a'sakta hounn?

YOUSUF KHAN
A'p already andar a'chokey hey. 
Khair kohey baht nahi. Kahee-yeh, 
mey a'p kehleyeh keya karsakta hounn?

INSPECTOR PANDEY
Felhal to chand sawal ka jawab deejeyy.

YOUSUF KHAN
Lo, karlo baht. Jab mey gundey or 
badmash logo ke sa't kam karta ta, 
hafta leyta ta or ghareebon ka khoon 
peeta ta, to a'p kabee mujhe sawal 
nahi keya. Ab jo mey-ney borahee ka 
rasta chordeya hey, a'p poochtaj 
karney a'gahey. Chalo, poocheyehh.

INSPECTOR PAHNDEY
Acha to a'p a'j kaha teyy?

YOUSUF KHAN
Edar, apney gar mey. Keya baht hey 
inspector sahab? Saf saf kahey-yehh.

INSPECTOR PAHNDEY
Acting achey karleytey houn. Jesey 
ke Mator key qatel ke scheme mey a'p 
ka kohee samband naheee.

YOUSUF KHAN
A'p keya kehrahey hey. Yeh Mator 
kohn heyy?

INSPECTOR PAHNDEY
Boley matbanou Khan. Yeh Mator, 
Jagatpal ke khas adami ta jou a'j 
dopehr, Oberoi Hotel ke swimming 
pool mey pani ke jaga apney khoon ke 
darya mey swimming kar key margayaa.

YOUSUF KHAN
Yeh baht a'p mujhee keyoun bata rahey 
hey. Rozana, es mulk mey deir sari 
adami ka qatel hota hey. Kesee ko 
pollution ma'rta hey, kessee ko 
corruption, or kessee ko hotel ka 
accommodation. Es mey, meyra keya 
qusoor. A'p saboot kara kar key, 
qatel ko greftar kareyy.

INSPECTOR PAHNDEY
Khan, mey janta houn ke es khoon ke 
peechey, tomara ha't hey, magar mey 
shak ke bunyad par kam nahi karonga. 
Mey wapas akar tomey deykongaa.

YOUSUF KHAN
Beshak a'p wapas a'jahey. Magar 
arrest warrant or saboot ke sa'tt.

Inspector Pahndey, turns back and walks out of the door. 
Khan goes towards Ranjeet's room with a hand back in hand. 
He knocks the door. It is opened and Ranjeet appears in the 
middlee.

RANJEET
Khan bai, a'p aney ko keyoun takleef 
keya. Mujey apney pass bola deytaa.

YOUSUF KHAN
Tomey to a'j raht kohee khas program 
nahi heyy?

RANJEET
Mujhey Jagatpal Sahab key pass jana 
hey. Usney abhi abhi phone par mujhey 
bolaya or uska aawaz sey eysa lakta 
ta ke woh bahot ghussey mey heyy.

YOUSUF KHAN
Ona chaheyeh. Uska khas adami, Mator 
jo mara gaya heyy.

RANJEET
Keya yeh sach hey bai jann?

YOUSUF KHAN
Belkol such hey. Abhee abhee 
Inspector Pahndey edar ayata or es 
qatel ke barey mey mujsey poochtaj 
keyaa.

RANJEET
Ab to Jagatpal mujhey nahi choregaa.

YOUSUF KHAN
Don't worry, mey tomey eysa rahsta 
dekawonga ke Jagatpal tom sey khosh 
okar tomey ina'm bee deygaa.

RANJEET
Mey a'p ke sa't har rastey pey janey 
kehleyeh tayyar hounn.

YOUSUF KHAN
Pehr ghour sey snow. Agar Jagatpal 
tomsey Mator ke qatel ke barey mey 
koch poocha, to batau ke tomney Beam 
Singh ko Khan ke sa't deyka taa.

RANJEET
Agar yeh baht ghalat sabet huwa to 
Jagatpal mujhey zaroor maregaa.

YOUSUF KHAN
Yeh baht ghalat nahi heyy.

Yousuf Khan calls Kabir giving him a bundle of keys.

YOUSUF KHAN
Kabir, zara yeh chaveya leykar eik 
lak ropeya amarey SAFE sey lehkar 
a'uu.

Kabir takes the keys and goes upstairs. Moments later, he 
comes back with two bundles of money and puts them on the 
table in front of Yousuf Khann.

YOUSUF KHAN
(Giving the money to 
Ranjeet)
Yeh lo Ranjeet, yeh hey eik lak 
peshakey. Agar tomney meyra kam 
kardeya to mey tomey dou lak or dongaa.

RANJEET
Kam keya heyy?

YOUSUF KHAN
Mey tomey eik jacket deyta houn jeskey 
dou ooper wali jeybo mey dou iPhone 
fit karney ka jaga hey. Yeh dou 
phones video recording karta hey or 
Internet ke zarehey mey donou phones 
per control karsakta hounn.

RANJEET
Mey woh jacket ke sa't keya karongaa?

YOUSUF KHAN
Tom Jagatpal ka koch eysa kam 
recording karkey lau jo oskey galey 
mey pasi ke panda honey mey qabel 
houu.

RANJEET
Yeh kam to bahot khatarnak heyy.

YOUSUF KHAN
Zendagee ka safar mey to har qadam 
mey khatra hey. Meney yeh dou phones 
ke sa't Mr. Malik ka koch karnameh 
recording kar key apney pass rakka 
hey jo hamarey bore den mey kam 
a'heyga. Tom be khod ko bachaney 
kehleyeh koch karoo.

RANJEET
Chalo mey es kam kehleyeh tayyar 
hounn.

Yousuf Khan takes a step forward and searches through the 
hand bag on the table. He takes a jacket from the bag which 
has a unique design with some small and big buttons over 
every pocket. Yousuf Khan opens the buttons of the two upper 
pockets of the jacket that are bigger than the other ones. 
Khan recovers one I-Phone from the right pocket and opens 
it's video option. He calls Ranjeett.

YOUSUF KHAN
Edar a'u Ranjeet or deikk.

Ranjeet comes forward and takes a look at the video in the I-
Phone. Ranjeet is dumbfounded when he sees Beam Singh sitting 
with Khan and talking about Mator who tried to kill Haroon 
and Yousuf Khann.

RANJEET
(in a state of surprise 
and shock)
Hay Ram! Mujhey yaqeen nahey a'raha 
hey. Yeh video es phone mey kesey 
ayaa?

YOUSUF KHAN
Yeh mera fixed hidden security cameras ka 
kamal hey jo es haweely ke kohney kohney 
mey install ochoka hey. Meney sarey 
cameras ko Internet ke zarihey apney phone 
ke sa't connect keya heyy.

RANJEET
It means that you've bugged my room tooo.

YOUSUF KHAN
Yes. All rooms in this house is 
under surveillancee.

Khan gives phone in his hand to Ranjeet.

YOUSUF KHAN
Ab yeh phone tom leylo or apna phone a'j 
raht kehleyeh mujhey deido. Eysa eik or 
phone es jacket ka dosri jeib mey heyy.

RANJEET
Dou phones sey mey keya karoongaa?

YOUSUF KHAN
Dosra phone leykar tom eik wire key 
sa't apney wo peyar karney ka saman 
ke neechey, peechey sey fit karo. 
Jab tom Jagatpal key house mey ponch-
gaya, peshab karney ke bahaney, toilet 
jau or odar esko apney jacket ka 
ooperwali jeib mey rak kar video 
recording activate karo. Pehr jau 
Jagatpal ke sa't beytoo.

Yousuf Khan takes the other phone out of the pocket of the jacket. 
The phone is connected with a thin wire to it's protective cover. 
Khan wears it on top of his Shulwar Kamis showing it to Ranjeet 
how to hide the phone between his two legs under his reproductive 
organ hanging it from behind his buttt.

RANJEET
Kya yeh phone door sey achey recording 
kar saktaheyy?

YOUSUF KHAN
Jee ha. Magar eik baht ka kheyal rakna 
ke phone ka back camera bahar ke taraf 
ona chaiyeh keyon ke yeh oper wali jeib 
ka button, phone ke back camera ke sa't 
adjust keya gaya heyy.

RANJEET
Agar Jagatpal ka kesey adami or guards 
mujhey kaha keh telephone under leyna 
mana hey to keya karonn?

YOUSUF KHAN
Kaho key tomarey phone mey eisa saboot 
hey jo eik traitor ka expose karta 
hey or Jagatpal sahab khod ney woh 
saboot deykna chataheyy.

RANJEET
Agar mey kamyab ogaya, mera inaam 
keya ogaa?

YOUSUF KHAN
Agar tom kohey pakka saboot laya, to 
mey tomey dou lak or deyta houn or 
uskey ooper bee jab yeh larayee khatem 
owa, mey apney sari doulat apney 
wafadar sahteyou ke darmeyan divide 
karonga or oska bee tomara essa 
mehfooz raheygaa.

RANJEET
Agar mujhee koch ogaya too?

YOUSUF KHAN
Tomey koch nahey oga or agar koch 
bee huwa, to mey tomarey family ko 5 
lak deytahoun or tomara bacha ko bee 
kesee achey school mey dekhela 
karonga. Yeh eik sachey musalman or 
eik Khan ka wada heyy.

Ranjeet takes the other I-phone and goes to the washroom. 
He fits the cell phone between his two thighs as shown by 
Yousuf Khan. Then comes out and wears the jacket putting 
the cell phone that has the recorded video of Beam Singh and 
Khan's meeting in the right upper pocket of the jackett.

RANJEET
Ab mey chalonn?

YOUSUF KHAN
Abhi nahi. Janey se pehly, tom 
Jagatpal ko phone kar key batau key 
Mator ke qatel me zaroor Beam Singh 
ka ha't hey or kaho key tomarey pass 
es baht ka pakka saboot bee hey. 
I'm sure ke phone karney ke ba'd, 
Jagatpal tomey kaheyga ke apney saboot 
ke saht a'u. Pehr tom chaloo.

Ranjeet calls Jagatpal as told by Yousuf Khan.

RANJEET
Hello Jagatpal sahab! Mey houn 
Ranjeett.

JAGATPAL
(sitting in his private 
office at his house 
and talking with his 
partner Mr. Malik)
Ranjeet meyney tomey jaltee aney ko 
kahata. Haramkhor, a'ney ka jaga 
tomney phone kardeyaa.

RANJEET
Sir, mey Mator ke qatel ke barey mey 
koch information or saboot jama karney 
mey busy taa.

JAGATPAL
Keya hey tomarey passs?

RANJEET
Sir! Mey dawey ke sa't kehta hou ke 
Mator ke mout ke zemadar, woh Beam 
Sing or Yousuf Khan heyy.

JAGATPAL
Es baht ka saheeh sabet karney kehleyeh 
tomara pass keya saboot heyy?

RANJEET
Mator ka Yousuf Khan ke pass ana or 
undono ke mulaqat ka videoo.

JAGATPAL
Haramkhor tomney yeh baht pehli keyon 
nahi batayaa.

RANJEET
Sir! Mera situation tora sey kharab 
hey. Khan ke adami mujhey koteh key 
tara peecha kar raha hey or har jaga 
mey observation mey houn. Magar a'j 
ra't gar janey ka bahana karkey 
chottee leya heyy.

JAGATPAL
Tom wo saboot ke sa't abhi or esee 
waqt meyre gar auu.

Jagatpal disconnects the phone and rubs his hands starting 
to walk in the room coming and going back on the same pathh.

MR.MALIK
Kya baht hey Jagatpal sahab! Bare 
beqarar lektey houu?

JAGATPAL
Abhee abhee Ranjeet ney phone per 
bataya ke Mator ke mout ke karan, 
Beam Sing or Yousuf Khan hey. Yeh 
Khan or Haroon amarey leyeh nasoor 
banchoka hey. Ab undono ko khatem 
karney kehleyeh, hamey bahot bara 
kehl kehlna paregaa.

MR. MALIK
Mey to kehta houn ke kehl Beam Singh 
ke saht shoro karengey. Pehr, sab 
partners ko message dey kar eik bara 
meeting bola deyngeyy.

JAGATPAL
Beam Sing ke saht kelna to saheeh. 
Yeh bara meeting bolaney kes kam 
kehleyehh?

MR. MALIK
Es meeting mey ham apney partners se 
madad mangegey, keyoun ke abtak am 
dobar Haroon or Khan ko marney 
kehleyeh nakameyab koshishey kar 
chokey hey. Osaktahey, teesrey bar 
police ham par shak kareyy.

JAGATPAL
Kya tom chatey houn ke undono ke 
marney kehleyeh, ham foreign sey 
madad leyy?

MR. MALIK
Foreign sey nahey, balkey India ke dosree 
states or dosrey gangs sey. Meney sona 
ke Haroon or Khan hamisha bulletproof 
vest pentey hey or unkey pass eik armored 
Land Cruiser bee heyy.

JAGATPAL
Acha! Esey leyeh etney goaleyoun ke 
barish ke bawajood bee woh logue 
usraht bach gayeyy.

MALIK
Chaleyeh, Beam Singh ka kehl khatem 
karney kehleyeh, a'p subsey pehly 
usko edar boladeejeyy.

Jagatpal searches for Beam Singh's name on his cell phone. 
He finds the name and presses the green button to make a 
call. Then he sits on the couch opposite Mr. Malik putting 
the phone on the speaker mode. The phone starts ringing. 
The voice of a man comes from the loudspeaker of the phonee.

THE MAN (O.S.)
Namashkar Jagatpal sahab. Kaheyeh 
a'p etney deno ke ba'd hamey keysey 
yad keyaa?

JAGATPAL
Ham apney khas adameyoun ko, khas 
mauqeh or khas kam key anjam deney 
kehleyeh ya'd kartey heyy.

BEAM SINGH (O.S.)
Esa kohn sey khas kam hey jo hamey 
karna parega. A'p ka ha't to bohat 
ooper tak heyy.

JAGATPAL
Jungle mey jab sher ja'l mey pus 
jata hey, to usey bachaney mey choowwa 
kam ayega, ha'tee naheyy.

BEAM SINGH (O.S.)
To batahey, yeh choowwa a'p kehleyeh 
keya karsakta heyy?

JAGATPAL
Yeh kam tora sey khatarnak hey. Tom 
to jantey hou keh mey har kam bahot 
safayee sey karta houn or kabhee 
saboot nahey chorta. Eseyleyeh mey 
phone par kam ka details nahey bata 
hounga. Tom esa karon ke abhi, esee 
waqt meyre gar a'u. Warna yeh das 
lak ka kam tomare ha't sey gayeee.

BEAM SINGH (O.S.)
Acha sahab. Mey abhi ayaa.

EXT. THE ENTRANCE GATE TO JAGATPAL'S PALATIAL HOUSE - NIGHT

Ranjeet who has got out of a taxi paying its fare, walks 
towards the gate of Jagatpal's house. He introduces himself 
to a guard who has a Walky-Talky in handd.

RANJEET
Mey houn Ranjeet. Jagatpal sahab ka 
khas adami. Mey undar jana chata 
houn, woh bee apney cell pone ke 
sa't, keyoun ke sahab khod mujhee 
phone par aney ko kaha taa.

THE GUARD
(talking via the Walky 
Talky in hand)
Hello, Agni 1, Agni 11.

AGNI 1 (O.S.)
Ha, bol Agni 2 kya baht heyy?

AGNI 2
Kesee Ranjeet nam, sahab ke pass 
jana chata hey, wo be cell phone ke 
sa't. Uska kehna hey ke Jagatpal 
sahab usey bolaya hey. Keya usey 
ijazat dounn?

AGNI 1 (O.S.)
Eik minute mey pooch kar ke ata hounn.

INT. LUXURY OFFICE - NIGHT

Jagatpal has just finished talking with Beam Singh from his 
special luxury office located in his house. He wants to say 
something to Malik, but the door is knockedd.

JAGATPAL
Kohn hey, undar auu.

The door is opened from behind and Mohan, his Personal 
Secretary comes inn.

MOHAN
Sir, Ranjeet, wo a'p ka informer 
guards ke pass gate mey hey. Uskey 
pass cell phone hey or uska kehna 
hey keh wos phone par koch important 
video heyy.

JAGATPAL
Han. Ranjeet phone par baht keya 
ta. Mey wos video ko deykna chata 
houn. Usey chordo. Let him come 
with his mobilee.

MOHAN
Acha sirr.

Jagatpal's personal secretary gets out shutting the door 
behind. Contacting by a walky-talky to the guards, he sayss:

MOHAN
Hello, agni 2 agni 2, Jagatpal sahab 
ka kehna hey keh woh Ranjeet ka phone 
mat leylo. Let him bring the phone 
inn.

AGNI 2 (O.S.)
OK sirr.

EXT. BACK TO THE ENTRANCE GATE OF JAGATPAL'S HOUSE - NIGHT

An armed guard accompanies Ranjeet showing him how to go 
inside the housee.

RANJEET
(to the guard)
Shukria bai sahabb.

The guard leaves Ranjeet and goes back to his duty point. 
Ranjeet gets in and in the lobby he meets Mohan, Jagatpal's 
personal secretaryy.

RANJEET
Namasty Mohan bai. Sahab kedar heyy?

MOHAN
(leading Ranjeet to 
the door of the room 
in which Jagatpal 
and Malik are sitting)
Sahab under heyy.

Mohan knocks the door and gets in.

MOHAN
(to Jagatpal)
Sir, Ranjeet bahar kara hey. Usey 
a'p ke pass beijounn?

JAGATPAL
Beijou na. Ham to uska intezar kar-
rahey heyy.

Keeping the door half open, Mohan looks back and signals 
with his right hand towards Ranjeet asking him to get in. 
Ranjeet enters the roomm.

RANJEET
Namashkar Jagatpal sahab. A'p ney 
hamey yad keya or ham bee khali ha't 
nahi ayaa.

Ranjeet searches his jacket's right pocket and takes his 
cell phone out. Opening its video folder, he plays the only 
video in the phone which is Beam Singh's meeting with Yousuf 
Khan. Playing the video, Ranjeet gives the phone to Jagatpal. 
Watching Beam Sing sitting with Yousuf Khan and talking, 
Jagatpal gets very angry and hits the phone on the ground. 
The phone battery and cover split apartt.

RANJEET
Sir! A'pney mera Rs.50000 ka phone 
tota. Ab mey dosra kaha sey lawouu.

JAGATPAL
Mey wos haramkhor Beam Singh ko eysee 
saza donga ke pehr kesee or hamare 
adami ko marney ke jora't na kareyy.

Ranjeet goes and collects his phone's parts from different 
places of the room. He checks the screen and finds that the 
protective cover has done its job very well. The I-Phone's 
screen is OK. He checks the battery and the phone's back 
cover. Nothing is broken, but he acts out as if his phone 
is not working anymoree.

RANJEET
Yeh phone to gaya kam seyy.

JAGATPAL
Koyee ba't nahi. Ham tomey eik naya 
phone ka paisey deydengeyy.

Jagatpal seeming very restless.

JAGATPAL
(looking at his 
wristwatch)
Noh Bach kar chalees minute hey or 
yeh Beam Singh abtak nahi ayaa?

MALIK
Woh zaroor ayega, keyoun key woh 
janta hey ke a'p ke hukum na maney, 
khod mout se barabar heyy.

RANJEET
(putting his hand on 
his stomach)
Yeh mera peit ko keya hogaya. A'ney 
sey pehly to mey washroom gayata. 
Lakta hey woh bahar ka kaney mey 
koch kharabi taa.

Making a pause, Ranjeet rubs his stomach.

RANJEET
(to Jagatpal)
Sir! Es kamrey me kohee toilet hey 
ke mey bahar jawouu?

JAGATPAL
(Pointing to the door 
of the washroom)
Woh tomarey samney darwaza, toilet 
ka hey. Jaltey chalo, warna hamara 
yeh shandar mehal ka hawa kharab 
hoja heygaa.

Ranjeet runs towards the washroom keeping his hands on his 
stomach. He opens the door and gets in turning the lights 
onn.

INT. A MODERN SPACIOUS WASHROOM - NIGHT

Ranjeet brings his pants down. He opens the wire from the 
cell phone that was placed between his two thighs, activates 
the video recording of the phone and puts it on the left 
pocket of his jacket with back camera focusing outside. He 
also checks his split apart I-phone putting back the battery 
and the cover. Turning on, he finds that the phone is still 
working. Ranjeet checks the phone's video recording system 
and finds out that it works. He leaves the recording option 
active and puts the phone on the right upper pocket of his 
coat, washes his hands and gets out of the washroomm.

BACK TO JAGATPAL'S LUXURY OFFICE - MOMENTS LATER

Cleaning his hands with a piece of tissue paper, Ranjeet 
walks towards an empty couch to sit, but Mohan, Jagatpal's 
personal secretary enter with Beam Singhh.

MOHAN
(to Jagatpal)
Sir, Beam Singh apney bai ke sa't 
aya hey, magar meney uskey bai ko 
guards ke pass betadeya. Agar a'p 
ijazat dey to usko bee boladounn?

JAGATPAL
Nahee. Ham edar private baht kar 
rahey hey. Mey nahee chata ke hamarey 
raz kesee or ke kahno tak ponchey. 
Tom bee torey dehr kehleyeh bahar 
jauu.

Mohan leaves the room closing the door behind.

BEAM SINGH
(entering the room)
Namastey Jagatpal sahabb.

JAGATPAL
Khosh amadeid Beam Sing jee. A'ney 
mey bahot dehr kardeyaa.

BEAM SINGH
Tora sey dehr aya. Magar aya to 
sahehh.

MALIK
(interfering in the 
conversation)
Dehr ayad, drust ayadd.

BEAM SINGH
Jagatpal sahab, kahey-yeh, keysa yad 
keyaa?

JAGATPAL
Yousuf Khan ko marney kehleyeh. 
Sonahey ke Mator ke qattel mey uska 
ha't heyy.

BEAM SINGH
Osakta hey sir. Magar mey Khan ko 
keysee ma'rsakta houn jabkey a'p 
etney powerful hokar bee usko mar-
nahee sakey. A'p to jantey hey ke 
a'j kal Khan or uska dost, Haroon, 
bahot popular hochoka hey, or logue 
unkehleyeh jan deney ko tayyar heyy.

JAGATPAL
Agar logue undono kehleyeh jan deney 
ko tayyar hey, to tom, jan leyney 
kehleyeh tayyar hojauu.

BEAM SINGH
Woh keyseyy?

JAGATPAL
Jesey ke Mator ko marney kehleyeh 
toney Khan ka sa't deya, wesey Khan 
ko ma'rney kehleyeh ab mera saht doo.

BEAM SINGH
Mera yaqeen keejey, Mator ko marney 
mey mera kohee ha't nahey heyy.

JAGATPAL
(getting a revolver 
out of his pocket 
and putting it in 
Beam Singh's mouth)
Per keyon Khan ke pass chalkar Mator 
ke barey mey uske sa't baht keyaa?

BEAM SINGH
Yeh such hey ke mey Khan ke pass 
gayata, magar Mator ko meyne nahi 
mara. Yeh kesee or ka kam heyy.

Ranjeet comes closer to Jagatpal so that the I-phones may 
take some shots from a better angell.

JAGATPAL
(getting very angry 
upon Singh's 
acknowledgement of 
meeting with Yousuf 
Khan)
Haramkhor, tomarey karan, mera eik 
bahot kam ka adami, zendagee ke 
imtehan mey nakam ogaya or uska jawani 
ka sahar etna jalty sham ogaya ke 
uske wajeh sey mey badnam ogaya. 
Esee-leyeh batau hamrazadeh Mator ke 
barey mey information deney kehleyeh 
Khan sey ketna paisa leyeteyy?

BEAM SINGH
(frightened and short 
of breath)
Mey qasam katahoun ke meyne kesee 
sey eik paisa nahi leyahey or Khan 
ka suparii...

Jagatpal can't control himself and upon listening the word 
"suprai" he pulls the trigger and kills Beam Sing on the 
spot. The bullet makes a big hole from the back of Sing's 
skull and he falls on the carpet. Ranjeet comes closer bowing 
to see Beam Sing and then turning his face towards Jagatpal 
standing in fear in front of himm.

JAGATPAL
(to Ranjeet)
Tom be deyklo amarey sa't ghaddari 
karney ka anjamm.

Jagatpal walks towards a bookshelf that is put in the corner 
of his office. He takes one of the books out behind which a 
couple of switches appear. He puts his finger on one of the 
switches pressing it for two consecutive times. Suddenly 
the wooden cupboard moves to the side and the door of an 
elevator appears. Jagatpal presses the elevator's button 
and after a few seconds, its door opens and two armed guards 
seeming to be on duty appearr.

JAGATPAL
(to the Guards)
Woh lash ko carpet ke saht leyjau or 
samandar mey piekdo. By the way, 
eska bai bee odar main gate mey guards 
ke pass wait kar-raha hey. Mohan 
sey kaho ke en dou baiyoun ke mulaqat 
karwadoo.

The guards moves towards Beam Singh's body lying drowned in 
blood on the blue carpet. They roll the body into the carpet 
and take it into the elevator. The lift goes down and 
everything disappears from sight and the book shelf 
automatically returns to its initial formm.

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